Friday, 24 May 2013

Composing...

I took quite a few photographs on the weekend. 

We were down at the sea where a friend has a beach house and a collection of sea shells, and other bits and pieces that I liked the look of. 




I had fun arranging the shells and playing around with composition and light. 




There was also a good sunset on Sunday night. 




It struck me that I get a great deal of enjoyment out of mucking around with photography - almost as much as I do out of writing - and I had a think about why that might be. 

I think it's to do with creation. With the act of composing. Composing a sentence and composing a photograph. There are similarities. 

Both require thought and adjustment.
Both require trying out one thing, then discarding it for another. 
...Creating, and stepping back to see the effect. 
...Light, dark and shadows - important in both photography and writing.  
With both you can get too close, and blur the lines. (I like thinking about this in terms of words: when you get too close to your work and can't see anymore what you're trying to say.)  
...Less is more: that seems to be good adage to use both for photography and for writing.  

 Are there any other similarities I've left out?




Wednesday, 15 May 2013

He ain't heavy, he's my brother



Brothers come in all shapes, sizes and ages, and most of us have one. A writing friend of mine, Bec Jessen, has posted a thought-provoking piece about her brother, which you can read here.



It got me thinking about my own brother, who’s three years older than I am. We don’t talk much. We never have. He lives in South Africa and I live in Australia, and if we don't talk unless there's an issue with our elderly parents. 

It’s taken me a number of years to come to terms with the fact that my brother and I will never be close. But unless the sky falls in I don’t see that happening. 


A while back I wrote a short story that’s part autobiographical/part fiction. It's about the death of my aunt (true story) and my brother features in it. 





MOURNING HAS BROKEN
© Kathy George

“How was your flight? Bloody long way, isn’t it?”
I nod, resisting the temptation to be churlish and say How would you know? because it is after all a long way. Sydney to Johannesburg. Non-stop. Fourteen hours. And that’s not counting the Brisbane leg.
“So how is Helen?” I ask dutifully, “and the boys?”
“She’s fine. She sends her love.” My brother pauses. “The boys have taken it in their stride, but we’ve spared them the details.”
“Of course.”
“They don’t need to know.”
“No.”
“How’s Tom?”
“Good,” I say. “Sorry that he couldn’t be here.”
The truth is that Tom’s not sorry at all. He told me point blank that he couldn’t bear the thought of fronting up.  
My brother says, “I could scarcely manage to get away myself. You should see my desk -”
“It’s not a competition,” I murmur.
“What?” he says.
“Nothing,” I say.
He thrusts his hands into his pockets and looks around as if searching for a new topic. Rising on his toes, he rocks back and forth. He’s not a tall man and I think it’s an attempt to appear statuesque. I try to keep my fingers away from my eyes, which are sore and bloodshot. Instead of getting any kind of sleep I’ve read an entire novel on the flight.
“How’s mom coping?” I ask.
“She seems okay. Dad’s doing a great job, holding it all together.”
I nod again.
Since my brother first called me I’ve spoken to my dad twice, and each time he’s been calm and sensible. Yes, it’s true your Auntie has been murdered. No, you’re not to make any plans to fly over until we know when the body will be released from the autopsy. And yes, I will tell your mother that you love her and that you are thinking of her.
I’ve had time to mull over the word murdered. Back in Australia it sounded like a word splashed across the front page of The Sunday Mail. Here, in Africa, it sounds commonplace and ordinary. Dirty. It even tastes different when I let it linger on my tongue. There are other words like this, I realise, with different meanings for different countries. Hunger, for instance. Clothing. Holiday.
They call our flight to Cape Town and we shuffle into line while two little Africans play tag in-between us. The flight attendant tries to get them to behave, but it’s hard to be cross with a little black kid who has a shiny smile and a strong, healthy body.
“Stop that now or I’m going to call for the police,” my brother says, pulling out his phone.
“Hey, Zil,” the nearest one calls out to his friend. “He’s gonna call the cops.”
Chests heaving with exertion they saunter over to us. The one called Zil says, “Can we watch? Can we watch while you call the police?” and there’s a titter of laughter down the line.
It’s a chilly and damp Sunday evening in Johannesburg – the rain is doing its seasonal tribal dance over the highveld - and we all seem a little pliable and a little subdued.  
We get seats next to each other, although it’s not likely we’re going to be doing much talking. No wives, no husbands, no children. Nobody to move the conversation along. I try to remember the last time we were alone together; it seems like a lifetime ago.
It was the year we drove down from the dusty mining town where we lived, to university together. My brother to complete his third year of engineering, me to study for a Bachelor of Arts. My first year. A Bachelor of Arts majoring in? Nothing, he’d tell anyone who cared to listen. Nothing, he’d say with a snigger.
Nothing. I was seventeen and embarking on an enormous adventure. Bursting out of my skin. Tingling with anticipation. And not a thing happened on that trip. It was dull and dry. A straight road. A hollow blue sky. The heat of the Karoo shimmering over the tarmac. My brother did not speak to me. He did not look at me. It was worse than simply being his little sister. I might as well have been Nothing.   
It became the most eventful year of my life. In no specific order and having no bearing on each other, I lived away from home, tried smoking and getting drunk (hated one, loved the other), hitch-hiked across the peninsula and, fulfilling my brother’s prediction, dropped out of university. I also fell in love with Tom who taught me to surf, and to lie under a night sky tracking satellites. Later, he lured me to Australia.
My brother’s habit of not talking to me and not looking at me – unless of course we were in company and I spoke directly to him – had already started before that trip, and he did not grow out of it for years.
As I peer out of the aeroplane window and gaze down at the endless fairylights of Soweto drifting below us, I remind myself that it was a long time ago. That I should put it behind me. We’ve seen each other with our respective families at least once since then, and although it was awkward it went smoothly. We’re now both adults. It’s possible we’ve learned something.
My brother is three years older than I am. No matter how much I mature or where my career path takes me, he will always be older. More responsible. More mature. The first-born. The chosen one.
We’re picking at our in-flight meals when he says, “I’ve hired a car.”
“So have I.”
He looks at me over the top of his reading glasses. He says, “Why don’t you cancel yours and let me take care of it?”
“Because.”
He raises his eyebrows. “Because?”
I try to make a statement by putting down the cutlery with deliberation but it’s feather-light and too plasticky. I feel defeated before I’ve even begun.
“It isn’t about taking care of it, it’s about independence. Why don’t you cancel your car and let me take care of it?”
What? No,” he says, indignantly, and raises his glass to sip his wine.
From the depths of my travel bag I haul out my book and bury myself in it. It’s a dark novel about an Irish family gathering for a funeral, and in spite of my blistering eyes I reread pages in an effort to gain some insight into my behaviour.   

We drive both hire cars back to my parents’ house. It’s night now and raining in Cape Town and I let him take the lead, but the road out of the airport is all over the place because of preparation for the Soccer World Cup. When he takes a wrong turn I am gleeful.
            We finally turn up to find anybody who is somehow related is at my parents’ home. It’s almost festive. But when I reach out for my mother, her chest convulses and her face turns wet with tears. To find her not insisting on my brother and me consuming a second dinner is an indication of her distress. Someone makes a pot of tea. All I want is a slug of warm whisky swigged straight from the bottle, the way Tom taught me. I tell them about the Clem tunnel and how close the project is to being finished and how Tom could not get away, but not that he broke down and wept when I relayed the news. My aunt, feisty and lovable, was his favourite amongst his in-laws. They met long before the parental board inspection and instantly disliked each other, strange as that may seem now.
            And then we talk about what happened. It has to be said. Some of us don’t know all the details. A warm, windless Saturday afternoon. A leafy suburb. A lady with white, springy curls who used a stick for walking. We talk about how my aunt always left the side-door ajar for the dogs, refusing to be dictated to by crime statistics. About how the police are calling her “the local Mother Theresa” since everybody they interview tells them that she never turned anyone begging for food away from the gate. About the blanket covering the body. The smudged fingerprints. The missing handbag.  
            In the lull my mother says, “We’d like you to do the eulogy.” Lack of sleep is catching up on me, and when I finally turn to look at my brother he’s looking at me. They’re all looking at me.
“Me?” I say.
“Yes, you,” my father says. “You’re the one who has some experience with words.”

As I wander through my aunt’s garden the next day, I realise that I can’t tell Tom and my aunt’s story at the funeral. It’s Tom’s anecdote, not mine.
I sit down under the shady ancient oak tree and turf the blank A4 pad and pen on to the grass. I slip off my sandals and let the grass tickle my bare feet. My aunt’s dogs are still at the house. Silky black and white border collies, with tails like small palm fronds, they are clearly traumatised by the absence of their mistress and the comings and goings of various strangers. Sparrow lies quivering at my feet while Jack trots from the front door to the front hedge and back again. Somebody’s feeding them until arrangements are made to return them to the dog shelter. My aunt loved animals. A tame squirrel lives in the tree above my head; every evening a robin waits on the kitchen windowsill for cheese.
Inside the house is chaos. My mother has inherited the house and its contents and, together with my second cousins who’ve journeyed from England, she is trying to sort out what she wants to keep, give away or sell. I’ve got my eye on a large, black elephant made out of mahogany which Tom always loved. He’d stroke its head when he came to visit and say, “G’day, mate”, and in return my aunt would retort, “Where’s yer jumper?” and they’d both grin and look fondly at one another.
My best memories of my aunt are all connected with Tom.
My brother comes out of the house, stands on the patio and gazes at me. In response I waggle my fingers. He takes a minute to decide to cross the expanse of lawn, and I wonder what gem of information he is bringing me.
Hands behind his back, he does a wide circuit of the oak tree; he detours to the hedge and paces its length. Not once, but twice. And then he does another circuit of the tree. With an air of mild curiosity. With Jack at his heels. Feet apart, he finally halts in front of me. His shoes are brown leather, tightly laced.
“The elephant’s got Tom’s name underneath it.”
“What?” I say.
“Everything’s got a name underneath it. Well, nearly everything.”
“Good grief,” I say. In hindsight, a really stupid phrase. There is nothing good about grief.
After a minute he dips his head to the notepad at my feet and says, “Having trouble?”
Reluctantly, I admit that, yes, I am having trouble.
“Do you remember,” he says, “when we were kids and Auntie took us up Table Mountain in the cable car? It was that holiday when mom and dad let us fly down together. I was about thirteen, so you must have been ten.”
“And?” I say.
“We took boerewors and she let us make a fire on the mountain – absolutely verboten today of course but that was then – and we held the sausages over the fire on sticks –”
“And they were burnt on the outside and raw in middle and no sausage has tasted quite so good ever since,” I finish.
My brother raises himself on his toes, the way he did in the airport.
“But that’s so trite,” I say.
“Trite is good,” he says. “We’re not interested in magnificent occasions here, in Auntie meeting the Queen –”
“Did she?”
“She went to England often enough I wouldn’t put it past her. They want to know about the small things, the things that mattered, to you, and to me.”
“What mattered to you?” I say quietly.
He takes out a handkerchief and blows his nose. I pick up the A4 pad and crease the edge of the paper into a triangle. There’s a loud crash and tinkling from inside the house and we both look up. Jack darts off to investigate, his nails clicking across the patio.
“At the rock pools, once, in Fish Hoek. I must have been about six. She showed me how a sea anemone works. How, if I gently pushed my finger into the middle it closed its soft, fat fingers around mine, and held me. Tightly.” His laugh is strained and tinged with sadness. “I was terrified,” he says. “But it was like a finger hug.”  

I stand at the lectern with blurred vision and a tremble in my voice. The congregation before me is vast and ripples like an ocean. For years my aunt was the headmistress of the local primary school and the majority of the mourners are teachers and past students. The family pew comprises a handful of people, including my aunt’s maid, her broad brown shoulders shaking with silent grief.   
            When I give the eulogy, the anecdote I relate is my own. It concerns a Rudyard Kipling piece called The Sing-Song of Old Man Kangaroo which was one of my aunt’s favourites. She knew whole verses off by heart and would often recite them to us as children, waiting for me to come in with, “Off ran Dingo – Yellow-Dog Dingo – always hungry, grinning like a coal-scuttle.” Then, unrehearsed and inexplicably, I launch into my brother’s story about the sea anemone. It’s hardly a story, just a memory of one day in a lifetime of days: the tang of the sea air, the gaudy colour of my aunt’s dress – she loved bright colours - and the warmth of her arms around my brother.       
            Somehow, I find my place in the pew, and we sing the Eleanor Farjeon song Morning has Broken, which I’ve always wrongly attributed to Cat Stevens. It’s funny how you can carry around the wrong information about a person for years...
I’d like to say that sunlight falls through the stained glass windows on to the coffin, but nothing of the kind happens. Outside, it is an ordinary day. A little windy, perhaps. The South Easter is getting up and the seagulls wheel in the air above us, mewling softly.
            We are walking out of the church – the same church where my parents were married, and where Tom and I took our vows – when I see my brother is just ahead of me. Together with my father he’s supporting my mother. And I call out to them, and reach for my brother’s outstretched hand. 





Wednesday, 8 May 2013

Winter's Bone by Daniel Woodrell

Now and then a story comes by. It comes aknocking on the door, and before you can invite it in the hall rug is jerked from under your feet. Your breath taken away. And your smarts. It leaves you feeling numb, like you been smacked in the mouth. This here is one such tale, a gritty business that surely deserves them five stars. It truly is amazing. 







Some readers might argue the goings on is away too bleak and gut-wrenching miserable for them five stars, but see, it ain’t so much about goings on as it is about them words. They be poetry, and not too many of them, and the ways of nature plain robbed of loveliness and whittled back to splintered bare bone. The people themselves, they live miserable lives in down-at-heel poverty and yet… And yet there be such a spirit of humanity ashining through. This book here is going straight to my Top Ten – like a plump little cherub queue-hopping to heaven. The cover? C'mon you know I always discuss the cover. Well, it don’t exactly thrill me, but it ain’t purty. And that’s the thing, cos this here story sure don’t need no purty cover. 


Sunday, 5 May 2013

Sharing...



I'm in the mood for sharing... here's another very short piece originally written for a 250 word short story competition.


True Love
© Kathy George
   
He tells me he’s the only one for me, and that I need look no further. I admit to feeling the same way. It was love at first sight, impulsive and headlong.
But he won’t help with the dishes or take out the garbage­­­—that’s not his style. I can’t complain since he doesn’t drink or smoke and plainly adores me. We’re so in tune with one another. Most of the time I know what he’s thinking. Our life together is simple. He doesn’t ask for a lot.
My parents disapprove. They say I’ll outgrow him, that my needs are different, that he’ll be a burden. Look at him, they whisper to me in the hallway when he’s sitting in the sun goofing off, he’s such a responsibility. See, he’s a homebody, pottering around the yard, sometimes even gardening. I bring home the bacon. But hey, it works for me. And I disagree about my needs; we have things in common. We love good food, rambling in the hills, cuddling. He’s so appreciative. He doesn’t read voraciously like I do, but he isn’t stupid. We’re intelligent in different ways. At first our differences were more pronounced, and I admit to shouting at him heaps. I feel bad about that now.
The bottom line is I’m overjoyed to see him when I come home. I get all churned-up. I know he does. He’s over the moon. I just wish he wouldn’t jump on me so much.